Maria Wickwire

I work with the most elemental of materials: clay, story, and human form. Clay is the oldest material we humans have used to express ourselves. Perhaps only our stories are older. And even before we began to tell our stories, our bodies stood as witness to our lives, recording every experience in their cells, the way the rings of a tree trace its life story — the years of drought, fire, and flourishing. In the same way, the markings on my sculptural forms express inner experience. 

The process of making sculpture is, for me, a creative journey, a quest for discovering the stories that bring meaning to life. I am always amazed that the tales about growth and creativity, intuition and courage, discovered through this process, have been told in cultures all over the world, separated by time and geography, but like dreams, archetypes common to people everywhere.

Each sculpture must go through an arduous process to become who she is, beginning as a soft and malleable, formless lump of clay. As I build, using a coil method, the earliest layers must gradually become strong enough to support the new growth that will be added. Finally, she must acquire glaze patinas and pass through several firings, where she is heated up to 2200° and her very body is transformed. During the firings, her body shrinks and moves, melts and glows, until she has changed completely and can nevermore be the undefined lump of clay she once was. However delicate she may appear, she has become incredibly strong and able to weather extreme cold or heat. To me, her metamorphosis is not unlike the story of a human life. We are all in the process of creating ourselves, passing through the crucibles of our life experience and emerging stronger each time, but carrying with us the beautiful marks of courage we have earned along the way.